Monday, 23 June 2014
Box of Matches Nicholson Baker
This begins the second week of discussion on A Box of Matches. Make sure
you have worked through the Study Questions on your own, and have also
read last week’s contributions to the critical conversation on this
novel. For your primary post in this thread, you have several options:
a) choose a research-based study question or b) an intertextual or
comparative study question not already covered adequately, or c) an
original comparison-based or research-based question of your own to
respond to. For your second post, respond substantively to someone
else’s post with additional textual evidence, a counterargument, or
additional research.The best contributions are mini-arguments: thesis or
claim, plus supporting evidence, plus implications. If you intend on
doing a. A research question) then these are the following research
questions you could work with assigned by the professor. 6. It could be
said that this novel is a contemporary or postmodern take on more
commonplace or more prosaic “How to Build a Fire” texts—such as those in
Boy Scout manuals or on “Survivorman” TV shows—or even an extended
homage to Jack London’s famous short story, “To Build a Fire” (which is
provided for you in the folder for this novel). London’s story is about
extreme, desperate survival in the Yukon wilderness. How is A Box of
Matches fundamentally different from these analogues in its imaginative
scope and purposes? How is it fundamentally similar, unexpectedly? [R]
9. The narrator seems a bit strange, maybe neuro-atypical. Baker himself
has (and acknowledges) many similar eccentricities that show up in his
other writings. Do some research on the author to discover some of these
characteristics, not only to compare him to his narrator in this novel
(who is not Baker but a construct), but also to discuss how he uses
these unusual traits strategically and thematically. Maybe you could
consider whether this highly individual man is in some sense an
‘Everyman,’ or a stand-in for all of us in our magnificent variety. Or
not…. [R] 10. So, this is also a domestic novel, isn’t it? It’s stage is
the home and the family. But it plays on our expectations in sly and
artful ways. Talk about how Baker takes the conventions of the domestic
novel and spins or subverts them (and also selectively honors them) for
his imaginative purposes. What do you find surprising about this novel’s
relationship to the domestic novel tradition? It might help to use one
or two more traditional domestic novels as benchmarks. [R] 11. There is a
long tradition of poems, prayers, novels, allegories, and essays
premised on a speaker contemplating the place of man in the universe (of
space and time) from a perspective of one alone in the dark. Three
examples are Philip Larkin’s poem “Aubade,” Coleridge’s poem “Frost at
Midnight” and Paul Auster’s novel Man in the Dark. If you know any of
these, or another in a similar vein, construct a thoughtful intertextual
reading of A Box of Matches. [R] 12. The narrator is a man with
interesting reading preferences and habits. He mentions liking specific
Robert Service’s poems, editing medical textbooks, reading Kipling,
reading users’ manuals, and other kinds of texts. Zero in on some of
these passages that mention or allude to other texts, research what you
can, and explain what you think these details tell us about him and
about Baker’s larger themes in the novel. [R] 16. Emmett’s morning
reveries lead to some wildly imaginative fantasies. One (pp. 20-21, on
the fifth day) is reminiscent of a famous story by Julio Cortazar called
“A Continuity of Parks.” See if you can find it to compare to Emmett’s
version. Any thoughts on Emmett’s brain, or Baker’s?? [R] Why does
Emmett riff on suicide? 21. What does this book have in common with one
of the following?: Annie Dillard’s Pilgrim at Tinker Creek, Thoreau’s
Walden, Kazuo Ishiguro’s The Remains of the Day, Gerard Manley Hopkins’
poem “Spring and Fall” (“Margaret, Are you Grieving?...), Shakespeare’s
“Hamlet.” [R]
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